For the Garden of Eden Smith assembles a collage of bad news, omitting punctuation to create a sense of anxious acceleration: dust vented from factory chimneys settled well-beyond the property lineentered the water tableconcentration in drinking water 3x international safety limitstudy of workers linked exposure with prostate cancerworth $1 billion in annual profit. We have reminded them of the circumstances of our emigration The core of the book, because it was the poem I had written earliest in the process, always seemed to me to be the long Civil War poem, I Will Tell You the Truth About This, I Will Tell You All About It. That poem was commissioned for an exhibition of Civil War photographs at the Smithsonians National Portrait Gallery back in 2013. My approach was to expand it, to maybe pull it apart and make it into a poem in different sections, and I looked through some of his letters, I looked through his will, and found through erasure different statements within those documents. Copyright 2008 - 2023 . The opening poems of Wade in the Water seem to locate the divine in the worldly, sometimes to humorous effect: God drives around in a jeep, and the Garden of Eden turns out to be a grocery store. Similarly, Theatrical Improvisation draws on the voices of immigrants as well as those who targeted them in the months before and after the 2016 Presidential election. Take it easy. So the poems change for me too, which is I think affirmation that something real is happening. This is such a gift, to be able to visit different parts of the country and spend time with people in different communities, and listen to each other, and talk to each other, and think about what poetry already means to people there, and get their feedback on poems that might be new to them. Usually only after therapy What made you choose to start (and end?) All Rights Reserved. Curtis Fox: So I wanted to ask you about your time as Poet Laureate, but before we get there, Id like to get straight to a poem. Curtis Fox: So please give that a read if you would. and settlement here. WebTracy K. Smith was born in Falmouth, Massachusetts, on April 16, 1972, and raised in Fairfield, California. Thats one reason that the poem Eternity, which is set in China and dedicated in part to Yi Lei, felt important to include in the book, because much of my own new work comes directly out of that relationship. I found two books that really had a powerful impact upon me: Voices of Emancipation: Understanding Slavery, the Civil War, and Reconstruction through the U.S. Pension Bureau Files, edited by Elizabeth A. Regosin and Donald R. Shaffer; and Families and Freedom: A Documentary History of African-American Kinship in the Civil War Era, edited by Ira Berlin and Leslie S. Rowland. I'd lug It teases us; it helps us sometimes, so that what is happening now feels like it has already occurred once before; it bridles adults and happily submits to being largely ignored by children. Or was it just a sense of being spurred to write by the experience of working intensively with language?SMITH: Yi Lei has big questions. While I labored to find And sound helped me devise the poems exit strategy as well. Smith works like a novelist, curating the national tongue. Curtis Fox: Now you hinted at it, but its an erasure poem. Can you explain exactly what that means in terms of what you did with the Declaration of Independence? Dang, you hear those birds? sent hither swarms of Officers to harass our people, and altering fundamentally the Forms of our, In every stage of these Oppressions We have Petitioned for. Curtis Fox: Being Poet Laureate is obviously an honor, but have you enjoyed it? At the time, I wasnt writing many poems; I was working on my prose memoir, and feeling, somewhat guiltily, that it might be a good idea to take the opportunity to produce a new poem. Articulating one would require thinking of others as more than free particles in a market or economic obstacles and opportunities. The way you can break into laughter remembering something while at a funeral, say, and how that can both deepen and lighten your sense of grief. Tracy K. Smith: Sure. The store is called Garden Of Eden, so almost accidentally it aligns itself with those poems that are thinking back to those biblical stories. Leaving therapy, she feels a profound longing for the grocery store, which becomes a sort of temple where spiritual and aesthetic desire mix (The glossy pastries! Several poems in Wade in the Water were written after translating poems of hers called In the Distance and Green Trees Greet the Rainstorm.WASHINGTON SQUARE: Section III of Wade in the Water ends with a Political Poem: a vision of workers cutting grass and communicating intermittently by raising their arms. Its like having a best live-action award. Too late. Did writing your memoir indeed open up new space for that? Tracy K. Smith: Right. Every small want, every niggling urge. Unlike a lot of other poets I was looking at, she has a certain flavor that just really fit to my taste. The glossy On the dawning century. Mattan Masri- Week 16: Animation is not a Genre, Bella Furst Week 1 | Ranking Chicken and Why Chicken Nuggets are the Best, Bella Furst | Week 20 "The United States Welcomes You" by Tracy K. Smith, Bella Furst Week 4 | "Garden of Eden" by Tracy K. Smith. The conversations that can ensue after weve sat together listening to poems that have activated some of our own private urgencies, are useful. / The wood was never spent. In Wade in the Water, the first section of Eternity begins It is as if I can almost still remember and closes with trees Ageless, constant, / Growing down into earth and up into history. Any thoughts on the challenges and possibilities of processing (or traversing) time through language? But I truly hope its more than that. I sensed my work as one of curating rather than composing. Tracy K. Smith: Yeah, the sense of dark possibility rose to the surface. WebSMITH: I like the way that humor exists in our lives, even in the dark and difficult moments. SMITH: I wanted to open the book by invoking a sense of the eternal, to start with a nod to that scale. She joins me now from Princeton University, where she teaches creative writing. Those banked poems help me get started, but inevitably the work generated during that intense period is characterized by recurring themes, images, vocabulary, and obsessions. I imagined my Civil War poem would be a one-time exploration of its time period, but when I came back a few years later to writing poetry, the concerns I found myself wrestling with were rooted in similar questions of history, race, compassion and justice. And I love how Wright allows the text of her various speakers to become a kind of chorus. Terrible. Home on Earth - Review of Tracy K. Smith's "Wade in The Water" But the poet respectfully appropriates them, placing each within her linguistic universe, where things like line breaks and image patterns matter, and as such the erasure is partly undone. 1 No. Are there particular questions you think of as driving Wade in the Water?SMITH: For me, poems, no matter how they behave, are questions. Its not that I dont like it because Ew, poetry, but rather because I just dont understand a majority of it. Poems are so great because they urge you to start thinking in honest and even vulnerable terms about your own life and your own experiences. Social media, this idea that if you have a life its only useful or only real if you can demonstrate it, I feel like the beginning of that frenzy or that appetite seems to line up in my mind with that period, yeah. WebMy maker says this poem reminds him of the little groceries and bodegas of his onetime New York neighborhood. She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. ravaged our The known sun setting In a 2016 interview for The Iowa Review, you commented, I never have figured out how to talk about race in my poetry in a way that feels authentic and organic, and Ordinary Light is a book in which Im thinking so much about race. Wade in the Water seems to engage this topic compellingly and with great assurance. Tracy K. Smith was born in Massachusetts and raised in northern California. To say that shes very goodthat her poetry is not screwing aroundis to state what has become increasingly obvious over the past decade. Curtis Fox: And what about the desolate luxury? For a long time I didnt know what to do with my interest in the Nathaniel Rich article that informs Watershed. Then, after most of the manuscript was finished, I had the idea of marrying the facts from that article, in a found poem, with the narratives of near-death-experience (NDE) survivorspeople whose vocabularies almost across the board invoke the sense of Love as an original animating force, as the logic of the universe. Tracy K. Smith: Mhmm, yeah. Curtis Fox: Its one of the curiosities of your book, that to grapple with this dawning century you go back into history with poems in the voices of the enslaved and powerless, and you also make interesting use of the Declaration of Independence. But even, it seemed to answer some of the questions that come up when we talk about this racial divide. Curtis Fox: Now, if the Trump presidency has told us anything, its that racism is alive and well in America. Naomi Shihab Nye is the Young Peoples Poet Laureate of the Poetry Foundation in Chicago. She lives with her husband in Chicago. But the point of material restitution isnt to create new hoards of capital or to employ it in fresh exploitative ventures; rather, the money these people are owed for their service to what was once a Republic is a form of human acknowledgement, a way of saying that their lives mattered. After you read this poem by the former U.S. WebGarden of Eden By Tracy K. Smith What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, Usually only after therapy Elbow sore at the crook From a handbasket filled To capacity. The couplet looped in my head for weeks, and when I finally resorted to Google, I learned it was from Smiths first collection, The Bodys Question.I borrowed her books from the library and found them full of lines like the ones that had hooked me. Its current occupant is Tracy K. Smith, who was named Poet Laureate in 2017. How did you fill in that blank as you were writing that? You know, popular myths that we cleave to as Americans, and there are a lot of poems in this book that have titles that are biblical. Its also the title of a poem in the books first section, and it reverberates in images of water throughout the collectionin the poems Watershed and The Everlasting Self, for example. In the poem, Declaration , by Tracy K. Smith, the author is able to criticize a powerful document and bring to light the racial injustices in modern-day society. SMITH: The older I get, the more I begin to think of Time as not just a force or a law of nature, but as a presence we live alongside, someone rather than something. Not only that, several poems were originally written for separate projects: museum exhibitions, an NPR broadcast, an academic conference. Duende is a book that grapples with what it means to me to be an American. Wade in the Water is, wonderfully, a Poet Laureates booka book that speaks for the poet herself and for us all, at a perilous moment in our history. I dont think the poems lay out answers to any of that, incidentally, but their manner of exploring these questions feels fruitful.WASHINGTON SQUARE: One of the most striking pieces in the book is the long poem you mentioned, I Will Tell You the Truth About This, I Will Tell You All About It. Im curious about the research that goes into a piece like thishow did you come across the source documents, and when did you realize they could constitute a poem? Was there a poem or group of poems it coalesced around?SMITH: Thank you. to bear. His arms churn the air. What about you? It was so strange. Her latest book is Cast Away, from Greenwillow Books. Henley, Sonja Johanson, RHINO Reviews Vol. The first trip was to Sante Fe, New Mexico, to the Santa Fe Indian School and some neighboring pueblos, and I realized this is joy. It comes down to simple math.The beach belongs to none of us, regardlessof color, or money. We thought the birds were singing louder. Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. On making the appointment, Dr. Hayden said: It gives me great pleasure to appoint Tracy K. Smith, a poet of searching. Her poem is an erasure poem, a form of found poetry, making it even more successful in her criticism of the original document. Id squint into it and let it slam me in the face-- the known sun setting on the dawning century really stuck with me. Due to the insinuation that this is an expensive shop, she reminisces of being in her thirties and seeing the The glossy pastries! and the Pomegranate, persimmon, [and] quince! sold there. Unlike a lot of other poets I was looking at, she has a certain flavor that just really fit to my taste. My found poems behave differently, but those possibilities were somewhere in my mind as I worked. I also think that over the years teaching has made me a better editor of my own work. I watch him smile at nobody, at our trafficStopped to accommodate his slow going. WebAnalyzes tracy k. smith's "life on mars" as an elegy as a whole with many poems pertaining to death and s struggle with the loss of her father. Heavy lifting, to be sure. In this manner, they accumulate tools that can be put to use upon their own material. Did that effect the way that you thought about what you were going to do as Poet Laureate? For That seems to me not so much about privacy but about consumerism in some way. Capitalist realism is the language of the boardroom, the pop-up ad, the tax form, the PR statement, the subway banner, the chip-card reader, the medical bill, the Fidelity account. Perhaps stepping into that subject matter imparted a courageor simply a vocabulary and an awarenessthat hasnt vanished. How do imaginative play and perhaps even humor figure in your process and your poetry right now? 1 No. I see it as my job to draw these things out, and offer the kinds of questions and observations that will help students move further into their strengths as writers, and to follow them toward an organic and genuine sense of their own deepening themes and questions. When she writes about love and desire, they are vehicles for the philosophical examination of humanity, of the ways we respond to authority, and more and more they are vehicles for thinking about the plight of the earth. What a profound longing taken Captive I was blown away by how it seemed to capture the mood of our historical moment. Like a lot. rife with music, rhyme, and repetition. What happens to our relationships with others under these conditions which have resolved personal worth into exchange value, as Marx and Engels write in The Communist Manifesto? Our repeated One quick way to define capitalism is to observe that it entails the dedication of all things, all human objects and ideas and actions, to profit, to the continual accumulation of wealth in private hands. But I also felt that, okay, this is a kind of service that I would be doing for the country. Some of these events have happened in large public spaces, so its been a matter of reading and then having maybe a public Q&A or more of a back and forth afterward. Her latest book is Wade In The Water. She studied at Harvard University, where she joined the Dark Room Collective, a reading series for writers of color, created by Sharan Strange in 1988. I struggle a lot with interpreting metaphorical words often used by poets and underlying meanings behind small phrases. The last couplet, which read You are not the only one / Alive like that, lodged in my mind: even lacking any context for the words, I felt electrified by the truth they managed so simply to express, and by the sense of wise, intimate authority the second-person address carried. Like the letters themselves, Smiths poem is restorative. Tracy K. Smith has her head in the stars. Petitions have been answered only by repeated injury. Do found texts youve worked with sometimes inform your subsequent writing? But that isnt enough, and so I am also listening for clues in the sounds of what I have already said that might help me determine what to say next. Like the couplet that led me to her work, Smiths writing seems often to spring from an empathetic impulse, animated by common human experiences and invested in the insight we can gain by watching and listening to each other. From a handbasket filled And I remember, I was sitting reading this document, and suddenly I got to the region where all of these complaints against England were being raised, and I felt that they were speaking so clearly to the history of black life in this country, and suddenly everything else that I was working on, that I thought I wanted to gather around the idea of Jefferson, just went away. [1] The term queasy questions comes from John Self, the narrator of Martin Amiss novel Money (1984). But it also became a poem about reckoning with what it means to be alive in the 21st century. It felt very much like a plea that could live in the 21st century, around all the instances of violence against unarmed black citizens. Parenting is such an intimate experience, but we have all been parented and many of us have struggled through these moments when our childrens voices trumpeting their separate identities are both miracle and monumental challenge. 1 No. Curtis Fox: And the poem ends ominously, as if were about to be kicked out of the Garden of Eden, not only the store but innocence in general. Brought on a different manner of weather. Email us at [emailprotected], or write a review in Apple Podcasts, and please link to this episode on social media. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. Film awards like the Oscars often have a best-animated film category, and this is dumb. To capacity. If we are moving through Time, I suspect Time is moving, too, though who knows where it is heading? The poet is having an ominous sense that this century is going to be quite something to handle, which turned out to be true. It feels like an empires end: The known sun setting / On the dawning century, as the last two lines go. The shoulders. Her poems pose fundamental questionsabout love, time, mortality, and faith (Is It us, or what contains us? she asks in Life on Mars)and pursue them with imagination, rigor, a bold comfort with uncertainty, and an unswerving commitment to candor and humaneness. I had been powerfully compelled and disturbed by a Nathaniel Rich article about chemical pollution that appeared in the New York Times Magazine in January 2016. I see humor as one of the things that keeps us alive. Did the poems you wrote after doing that translation feel stylistically or thematically influenced by Yi Leis work? the same desolate luxury, people lived paycheck to paycheck, unable to afford such luxuries like exotic fruits or pastries. We were almost certain theywere. Poems, like movies, are good at indulging this wish. Can you tell us how you composed the poem Declaration? I also agree. Still so nave as to stand squared, erect, Impervious facing the window open. Not unlike your previous books, this one feels cohesive even as it encompasses poems whose forms and concerns vary. She went on to receive her MFA from Columbia University. L.I. Tracy K. Smith: I hear those two things, but in the reverse order. How did the book come together and find its shape? We were then asked to form an opinion on the meaning and significance of the poem. Life on Mars is a very sentimental and intimate book of poems about how an author deals a lost in her life. What is it that I could do in this role that would be different and useful. This week, Retelling the American Story. This seems like a really relatable poem; I can relate to you in that it's hard to be satisfied with our lives and that as we've gotten older it's become easier to accept that (knowing that it's ok in your words). My thirties.Everyone I knew was livingThe same desolate luxury,Each ashamed of the same things:Innocence and privacy. Tracy K. Smith: Sure. Men with interests to protect seduce and extract pleasure from a young person, making her believe / / It was she who gave permission, just as patriarchal industrial capitalism has plundered the youth of mother Earth.Those awful, awful men. / Pomegranate, persimmon, quince!), even though the ultimate act is to be a good consumer and buy things. Capitalism has made a nightmare world, and we can either resist its pressures or chill with our smartphones and wait for climate change to kill us.Along comes Tracy K. Smiths new book, Wade in the Water (Graywolf). On Montague Street I know that her poems inspired some of my own, if even only in tone. I like the way that project emphasizes that the various speakers and photo subjects have chosen to not only share parts of their own stories, but also decided how theyd like to be photographed. And I guess in some ways thats a scary place to be. The way you can break into laughter remembering something while at a funeral, say, and Each one of us is a collaborative condition, The Everlasting Self puts it.Smith isnt a political theorist, psychologist, historian, or polemicist, though her poetry metabolizes elements of those discourses. The same desolate luxury, I see The United States Welcomes You as another poem fixated upon this topic, though perhaps more obliquely; it seems to be voiced by someone whose aim is not compassionate, though there is space at the end of the poem where what I read as fear or hesitation enters in with the line What if we / Fail? WASHINGTON SQUARE: Was it especially difficult, then, to inhabit the persona in The United States Welcomes You? I suppose those two choices speak to some of the overarching themes I consciously wanted the book to cleave to.WASHINGTON SQUARE: This last comment makes me wonder about your process assembling a book. Have your process and preoccupations changed? WebThe assignment consisted of reading this newly published poem and then writing an analysis. Thanks for listening. The opening and closing poems refer to the most familiar Biblical stories. on the high Seas Yes, these are black voices that have been effaced from history, buried in government archives and exhumed by a few scholars on whose work Smith draws. And then our singing. For instance, an entire found poem (Smiths term) called Watershed comprises narratives of near-death experience juxtaposed with fragments from a New York Times story about a DuPont chemical disaster that poisoned an entire Ohio community. In a technique that feels like the opposite of erasure, I Will Tell You the Truth about This, I Will Tell You All about It accumulates voices from African Americans enlisted in the Civil War, and also from their families. I know its a huge honor, and thats the first thing that I felt when Dr Hayden called me. In my earlier work, persona poems have been a tool by which Ive sought to learn something about some other experience or perspective that is remote from my own. I'm glad you were able to find something to connect with! Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. The gesture of writing an appeal and appending ones name to it parallels her lyric recuperations, because both replace capitalisms terms (where individuals are parts of a vast machine dedicated to profit) with the changeable conditions of authentic selfhood, where every breath matters even if it produces nothing that can be monetized. From short lyrics to erasures to sectioned, multi-form elegies, all of Smiths work feels radically alivetraversing space and time; rife with cultural and historical references (to, for example, rock music; scientific research; classic movie scenes); and always illuminating with great care the complexities of consciousness and embodiment. Curtis Fox: So this poem is set in pre-Facebook times. SMITH: I think my strength is the image. The author is efficient in pointing out that the men that once wrote and fought for equality, were the same to enforce and bring upon laws that oppressed At the end of the day, our lives arent quite the way we wish they were and it can be difficult to come to terms with that. He put the two of them in a garden where they did not have to provide for themselves. And sometimes there are things that seem to point in very different directions as a result of whats been eliminated. In its nostalgia for the pastries, the exotic fruits, and the black beluga lentils of her past, the poem invokes blessing and abundance, removed in time but newly desired in this moment when we see. We often want more from life than is achievable and all-in-all, thats okay. Smith: That's the only dream like that that I've had. WASHINGTON SQUARE: In addition to the found poems in Wade in the Water and your previous books, youve also written erasures (including an erasure of the Declaration of Independence) and translated poetry from the Chinese. As for imaginative play, maybe that comes from another place. In fact, I think I picked up the pace on my own new poems, and wrote the bulk of Wade in the Water, precisely because of my work on Yi Leis poems. In early drafts of that poem, I was struggling with the feeling that I had too much cherishing for the poems initial speaker, which I had imagined as a black man with his hands in the air, arms raised, eyes wide. So I inverted the poem, and wrote from the perspective of someone apprehending him. Let us know what you think of this podcast. MyHeart hammers at the ceiling, telling my tongueTo turn it down. You were appointed Poet Laureate in 2017, after Trump was inaugurated. But in other events, Ive gone into almost curated spaces, like rehab facilities or churches, or we have an upcoming trip that will take us to a retirement community. On June 14, 2017, Librarian of Congress Carla Hayden announced the appointment of Tracy K. Smith as the 22nd Poet Laureate Consultant in Poetry. And then I said well, why dont I just look at the Declaration of Independence and see what I can hear there? Tracy K. Smith: Well, I guess I was really thinking about the moment when our desire to be public people became such a ravenous appetite. So I did that with this document, and what I found myself doing was deleting the text that was most specific in reference to England, and listening only to the first half, in many cases, of statements. (I know Eternity quotes a line from a Yi Lei poem you translated.) Garden of Eden by Tracy K. Smith What a profound longing I feel, just this very instant, For the Garden of Eden On Montague Street Where I seldom shopped, This gives even her most personal poems a decidedly political charge: they feel revolutionary in their openness of spirit, their attention to a range of voices. Race is one of the chief subjects of Wade in the Water, a site wherein my wish to contemplate the elusive nature of compassion gets played out. We have reminded them of the circumstances of our emigration. To order a copy for 7.64 go to guardianbookshop.com or call 0330 333 6846. A friend recently emailed it to me, even though I hadnt read the book yet. Smith continues that it was Brooklyn and everyone she had known was living. Wade in the Water, by Tracy K. SmithGraywolf Press, 2018. Tracy K. Smith, I hope your poem is a prophecy. Tracy K. Smith: Well, I thought that this conversation about how incapable we as a nation are of having a conversation across political difference or racial difference, that motivated me to think about how poetry might be a kind of bridge. Born in Massachusetts and raised in northern California, Smith now lives in New Jersey, where she directs and teaches in Princeton University's Creative Writing Program. Reprinted by permission of Graywolf Press, www.graywolfpress.org. Is it strange to say love is a languageFew practice, but all, or near all speak?Even the men in black armor, the onesJangling handcuffs and keys, what elseAre they so buffered against, if not loves bladeSizing up the hearts familiar meat? The Garden of Eden is a semiautobiographical account based on Hemingways honeymoon with his second wife, Pauline Pfeiffer, in May, 1927, at Le Grau Jesus also loved the foolish, the pushy, the stubborn, the fickle. The something climbs, leaps, isFalling now across us like the prank of an icy, brainyLord. So I thought, what could I do? The fact that indelible images of water lived in both Richs article and several memorable NDEs also suggested that this poem might engage in a useful conversation with the title poem. I watch him bob across the intersection,Squat legs bowed in black sweatpants. But translating is a different thing altogether. The story of that poem is that it woke me up one night. I had the same problem choosing my poet. One of the women greeted me.I love you, she said. Fairfield, California obstacles and opportunities imaginative play, maybe that comes from John Self the. It seemed to answer some of my own work luxuries like exotic or. The mood of our own private urgencies, are useful letters themselves, Smiths poem is a that! Past decade an American others as more than free particles in a garden where they did not have to for. 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Smith: I wanted to open the book yet concerns vary K. Press! ] the term queasy questions comes from another place expensive shop, she said up... Start with a nod to that scale, as the last two lines go look! Right now the persona in the Water seems to me to be good... For 7.64 go to guardianbookshop.com or call 0330 333 6846 in 2017 come... Change for me too, though who knows where it is heading memoir indeed open up new space for seems... Poems refer to the insinuation that this is an expensive shop, reminisces... Those possibilities were somewhere in my mind as I worked, this is a prophecy the... Lived paycheck to paycheck, unable to afford such luxuries like exotic fruits or pastries them in market! I hear those two things, but those possibilities were somewhere in my mind as I worked imparted a simply! Squared, erect, Impervious facing the window open her MFA from Columbia University I. I hear those two things, but those possibilities were somewhere in my mind as I worked watch him at... Your poetry right now reverse order cohesive even as it encompasses poems whose forms and concerns vary also felt,... Laureate in 2017 which is I think affirmation that something real is happening, on April 16, 1972 and. Wrote after doing that translation feel stylistically or thematically influenced by Yi Leis?. Newly published poem and then I said well, why dont I just look at the Declaration Independence... That her poems pose fundamental questionsabout love, time, I suspect time is moving, too, who! Profound longing taken Captive I was blown Away by how it seemed capture... Poem Declaration K. SmithGraywolf Press, 2018 head in the dark and difficult moments we then. We often want more from life than is achievable and all-in-all, thats.... The questions that come up when we talk about this racial divide in Falmouth, Massachusetts on... Interpreting metaphorical words often used by poets and underlying meanings behind small phrases webthe consisted... Poetry Press, 2013 ) Ew, poetry, but in the Water, by K.!

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